Archive for the 'Semantics' Category

11/12/08 10/22/08 Folk Communities

We began this session by learning a few folk rounds. The first was a bluesy MoonDog tune that reads as follows:

Nero’s expedition up the Nile
Failed
Because the water hyacinths
Had clogged the river
Denying Nero’s vessel’s passage
Through the Sud of Nubia

(I found a transcription online if anyone is interested in joining along!)

The second was a curious tune that compared a frog to a strange form of bird. This piece reminded me of a showtune more than a folk melody. Its text read:

What a queer bird a frog are
When he sit he stand almost
When he jump he fly almost
When he sing he cry almost
And he ain’t got no tail
Hardly he ain’t got no tail
And he sit on what he ain’t got almost…
What a queer bird a frog are!

When we broke into canon (I believe at one point we were in 4 or 5 parts) I began to get so excited that I couldn’t help but sing at the top of my lungs and by the end I had definitly broken a sweat. At times I stopped (just briefly) in order to experience the composite harmonies and rhythms as they flew by. This is the music that shaped me into the man (and musician) that I am today. My mother sang folk songs from her youth to me when I was an infant (and in fact even before I was born). When I was older she bestowed unto me her collection of LPs that contained her favored renditions of these tunes (they are still in frequent rotation on my record player). There is a strange sense of community that is lost when these songs and their traditions are ignored and undermined.

Later that night, after our class, Joanna and I took a couple friends up onto a friend’s rooftop deck. We taught them the songs that we had learned, and while a number of intoxicated college students stumbled home on the streets below, we rounded off the roof above them. This type of community is profoundly valuable. The sense of sharing is so unique and there is such a strong energy of liberation from all things ego. It is as though the music soaks into your skin and you feel such ecstasy from its internal resonance. These moments are rare (and increasingly so). We speculated in class on what life might be like if the price of gas escalated to an unreasonable and unaffordable height. Luxury as we now know it would cease to be an option. Touring musicians and ensembles would become rare and would force our community into a tighter knit microcosm. I believe that our scope of perception would narrow and we would begin to look inwards for entertainment. It is likely that our culture would return to an orally driven tradition with a focus on sharing, trading, familial communities, and the immediate experience of being. It is possible to speculate that within our current global community these things become insignificant and tend to disappear.

I would also like the mention the great attention devoted within our current cultural machine to the standardized process of test taking. This continues a conversation we began in class that Jenny also spoke of in her previous blog. As Jenny mentioned, learning to take a test, such as the SAT, targets strengths that you might use when balancing a check book. The strategies you learn when training for these exams in no way helps one to develop into a better artist, writer, musician, or creative thinker. Much of the way that high school English classes are conducted reflects this. Conversations surrounding literature and higher art are more often than not guided towards a specific end result or “correct answer” as defined by a teacher’s handbook. These so called ‘guided conversations’ are not real conversations and do not express anything but a prescribed formula and its subsequently derived answer. It leaves little room for creative thinking and no room for a student to learn freely. In tighter knit societies, we want people to sing with, to talk to, to be part of a community with.

We discussed in depth how much of what we learned as students was not what our teacher had been attempting to teach. For many of us, we learn in a variety of free-associative ways. We make connections and draw conclusions based upon previous experiences and our current understandings. It seems obvious, with this in mind, that our system of education can many times create a barrier for the minds of learners. In my view, education is something that cannot be prescribed. It is something that, when most effective, is coordinated with the specific needs and current situations of each student group (and in the most ideal situations, for each student individually). We have a long way to go in fulfilling the needs of our students, but I believe that in-depth speculation on the unique qualities of folk based communities will yield positive and provocative results.

09/16/07 New Internship Opportunities for CMIE Students

This Fall marks the beginning of several changes we’re making to the CMIE Guided Internship program at NEC.

One of the most exciting developments is that Guided Internships are now being formally recognized by the Conservatory’s Registrar; this means that students who successfully complete internships will get those internships listed on their academic transcript. To register for a guided internship, students should meet with me prior to their academic advising appointment and present a Guided Internship Proposal. Upon acceptance and review of the Guided Internship Proposal, Larry Scripp and I will sign a Special Enrollment Permission Form that the Registrar uses. Registering an internship with the CMIE Office and the Registrar guarantees some very important things:

  1. Your internship meets CMIE program guidelines;
  2. You promise to complete your Guided Internship within the semester of registration;
  3. Your internship will count towards the CMIE Concentration;
  4. You will receive credit for your internship on your academic transcript

IMPORTANT: These guarantees only apply if you register for your internship in advance of doing it. From this point forward, you can no longer tell us about your internship “after the fact” and expect to receive credit for it. Also, all internships MUST be registered for by the completion of ADD/DROP period; we cannot honor requests or proposals past the Conservatory’s ADD/DROP period for the semester that the internship work is planned for.

Other exciting guided internships await in new partnerships we are forming with our community partners. Through a new relationship with the Boston Chinatown Neighborhood Center, we are able to offer MIE students opportunities to work with Boston’s Asian immigrant population. If you are interested in teaching workshops or classes that align music learning with American cultural studies and/or English Language Learning, or you would like to teach vocal music, come by the CMIE Program Office and speak with Randy Wong.

11/02/06 New Website for NEC’s Center for Music-in-Education

I’m pleased to announce that we have launched a beta version of our new CMIE website! New site features include:

  • The ability to search, thanks to Google, strictly within our site and the MIE National Consortium site (even searches the content of PDFs and other documents posted on our site)
  • An easy way to subscribe to the MIE Newsletter
  • Links to new MIE NewsBlog postings and hot MIE NewsBlog categories
  • An updated user interface/design
  • Anyways, please comment here if you have any suggestions!!

    -Randy

    10/02/06 Welcome to the MIE NewsBlog

    Welcome to our new MIE NewsBlog! Check here for stories and news from the Center for Music-in-Education at New England Conservatory. You’ll be able to find first hand accounts of the work that goes on in our internship programs, in our MIE classes, and in partnerships with local arts organizations and public schools. Our contributors include current MIE guided interns, MIE@NEC faculty members, guest Artist-Teacher-Scholars, alums of the MIE@NEC program, and special topical guests. If you are interested in being a contributor, please email MIE Program Coordinator Randy Wong.