<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	>
<channel>
	<title>Comments on: Language, Culture, and Solfege</title>
	<atom:link href="http://mieatnec.org/blog/2007/12/13/language-culture-and-solfege/feed/" rel="self" type="application/rss+xml" />
	<link>http://mieatnec.org/blog/2007/12/13/language-culture-and-solfege/</link>
	<description>News and Stories from Artist-Teacher-Scholars</description>
	<pubDate>Tue, 06 Jan 2009 10:48:59 +0000</pubDate>
	<generator>http://wordpress.org/?v=2.6.2</generator>
		<item>
		<title>By: agreen</title>
		<link>http://mieatnec.org/blog/2007/12/13/language-culture-and-solfege/#comment-2447</link>
		<dc:creator>agreen</dc:creator>
		<pubDate>Sun, 23 Dec 2007 03:36:21 +0000</pubDate>
		<guid isPermaLink="false">http://mieatnec.org/blog/2007/12/13/language-culture-and-solfege/#comment-2447</guid>
		<description>It's funny you should use the term specifically, "without playing them on the piano." In my mind, I always play the melody on a piano in my head before I name the syllables. I was recently talking to the mother of one of my piano students about right and left-brain learners. Right-brain learners usually visualize things. Not necessarily everything. Joshua, are you more of a left-brain learner?</description>
		<content:encoded><![CDATA[<p>It&#8217;s funny you should use the term specifically, &#8220;without playing them on the piano.&#8221; In my mind, I always play the melody on a piano in my head before I name the syllables. I was recently talking to the mother of one of my piano students about right and left-brain learners. Right-brain learners usually visualize things. Not necessarily everything. Joshua, are you more of a left-brain learner?</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: mayjoshua</title>
		<link>http://mieatnec.org/blog/2007/12/13/language-culture-and-solfege/#comment-2415</link>
		<dc:creator>mayjoshua</dc:creator>
		<pubDate>Tue, 18 Dec 2007 01:22:34 +0000</pubDate>
		<guid isPermaLink="false">http://mieatnec.org/blog/2007/12/13/language-culture-and-solfege/#comment-2415</guid>
		<description>I think this is a great idea for discussion. I firmly believe that solfege is a musical language, which allows the musician to access the music in a new medium. Solfege helped me see the inner workings of the music without playing them on the piano. I was able to learn how to hear the music in my mind with the  syllables and conducting. This class helped me learn a new language of music for sure!</description>
		<content:encoded><![CDATA[<p>I think this is a great idea for discussion. I firmly believe that solfege is a musical language, which allows the musician to access the music in a new medium. Solfege helped me see the inner workings of the music without playing them on the piano. I was able to learn how to hear the music in my mind with the  syllables and conducting. This class helped me learn a new language of music for sure!</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: agreen</title>
		<link>http://mieatnec.org/blog/2007/12/13/language-culture-and-solfege/#comment-2398</link>
		<dc:creator>agreen</dc:creator>
		<pubDate>Fri, 14 Dec 2007 05:48:09 +0000</pubDate>
		<guid isPermaLink="false">http://mieatnec.org/blog/2007/12/13/language-culture-and-solfege/#comment-2398</guid>
		<description>It is interesting you should write that. In my recent interview with Professor Scripp (which most of the audio was lost, unfortunately), he explains how much of his teaching methodology comes from altering methods of teaching other things, like language. I am not sure if there are solfege teachers that make it clear to the students that they are learning another language, but now I am question this approach's effectiveness.</description>
		<content:encoded><![CDATA[<p>It is interesting you should write that. In my recent interview with Professor Scripp (which most of the audio was lost, unfortunately), he explains how much of his teaching methodology comes from altering methods of teaching other things, like language. I am not sure if there are solfege teachers that make it clear to the students that they are learning another language, but now I am question this approach&#8217;s effectiveness.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: miss_mari</title>
		<link>http://mieatnec.org/blog/2007/12/13/language-culture-and-solfege/#comment-2397</link>
		<dc:creator>miss_mari</dc:creator>
		<pubDate>Thu, 13 Dec 2007 23:55:18 +0000</pubDate>
		<guid isPermaLink="false">http://mieatnec.org/blog/2007/12/13/language-culture-and-solfege/#comment-2397</guid>
		<description>What an interesting analogy! Perhaps someday someone will look further into this phenomenon and teach solfege as a language of song rather than a technique.</description>
		<content:encoded><![CDATA[<p>What an interesting analogy! Perhaps someday someone will look further into this phenomenon and teach solfege as a language of song rather than a technique.</p>
]]></content:encoded>
	</item>
</channel>
</rss>
